Skinny jeans, choreo and dancing feet.

Skinny jeans, choreo and dancing fee. 020615

 

HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING

Savoyards Musical Comedy Society, Brisbane.

Auditions: June 12 – 17, 2015

CLICK HERE to meet the production team.

AUDITION PACK AVAILABLE NOW AT WWW.SAVOYARDS.COM.AU


VENUE:  Wynnum High School, Peel Street, Manly;

DATE:  13-15 June, 2015.

TIME: By appointment only

This is the final article in this audition series for How to Succeed. With all this information up your sleeve, we hope you feel a little more prepared for this and any other audition you do in the future.

Our final bit of advice is about what to wear. I’m stating the obvious but here goes:

  1. Be able to move. If you wear jeans that are so tight they’re cutting off your circulation, then you probably won’t be able to handle the choreography Desney gives you. Leave the skinny jeans at home and go for something you can move in.
  2. Feet count. You’ll be dancing on a timber floor so don’t wear joggers or thongs as they grip the floor and cause ankle injury. If you have chorus, jazz or ballet shoes, these are fine. If you don’t have formal dance shoes then wear dress shoes with a leather sole (men) or if you want to wear your heels (ladies), make sure you bring dance shoes you can quickly change into.
  3. Let us see your face. If you have long hair make sure it’s not in your face all the time. There is nothing more distracting than someone constantly pulling their hair away from their face. This will prevent you from working your character as well.
  4. Headshots. Should be about postcard size of your face and in colour. Don’t spend a lot of money. Take a photo in good natural light and print it at your local Kmart kiosk for $1 or even print it at home. It doesn’t need to be fancy but it does need to be clear. It is all we will have to remember you by after you have left the room and after 4 days of auditions, we’re going to need all the help we can get.

Finally, have fun. You’ve prepared well and we are excited to meet you and enjoy your audition.

Cheers, Sher.

www.savoyards.com.au  |  auditions@savoyards.com.au


How to prepare for the unexpected in your audition.

How to prepare for the unexpected in your audition 260515

 

HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING

Savoyards Musical Comedy Society, Brisbane.

Auditions: June 12 – 17, 2015

CLICK HERE to meet the production team.

AUDITION PACK AVAILABLE NOW AT WWW.SAVOYARDS.COM.AU


VENUE:  Wynnum High School, Peel Street, Manly;

DATE:  13-15 June, 2015.

TIME: By appointment only

 

So, you’re in the audition space, you’ve presented your song, read your script and learned the choreography. Now what? As the Musical Director walks toward the piano, indicating for you to follow him, you realise that your legs aren’t listening to your brain, you’ve forgotten your name and you suddenly need to pee.

It’s a while since I felt like this but I do remember what it was like. If I knew then what I know now, I wouldn’t read so much into everything the production team said and did. I know now that they are normal people, tired yet hyped up on coffee, keen to give everyone who auditions the best chance they can. What throws us as performers is the unexpected. I’ve spent the last few weeks setting you up to know what to expect at your How to Succeed audition and now I’m going to throw a spanner in the works and get you to turn everything on its head.

We have 15 minutes to determine whether you have the skills to perform a particular role in the show. Your job is simply to present your skills. It’s not to guess what we want and try to be everything. Just sing your heart out, read with energy and dance like you’re having fun. Our job is to take what you offer and play with it a little – get you to sing in a different way or read the script focussing on another element of the character. How do you prepare for the unexpected?

Geoffrey, our Musical Director, is a professional orchestral musician with years of experience and thousands of hours of practice behind him, not to mention sitting through hundreds of auditions as Musical Director for many shows. I asked him for his top suggestions about how to prepare for the unexpected:

  1. Know your songs so well that you sing them in your sleep. Don’t be fumbling for words or key changes. Your song/s are tools in your tool belt. If they’re going to last and do a good job for you, they better be of the highest quality you can achieve. They’re yours and no one else can use them for you.
  2. Try, in practice, to come up with a couple of viewpoints to your song. Play around with technique, breathing, interpretation and dynamics. Whilst you’re going to settle on a primary presentation of the song, don’t make it the only approach you’ve considered.
  3. Accept suggestions for change from the production team and put them into action. This shows your attitude to taking direction and being able to work under the overall vision for the show. It also allows us to measure skill level and your flexibility. If you’re not sure what you’re being asked to do, ask for clarification.
  4. All this applies to your script-reading as well. It’s fine to have your audition scripts in your hand (especially for those roles with more than one script to learn) but know them well enough to develop some character.

Next week is our final in this series of articles for How to Succeed auditions and our Choreographer, Desney Toia-Sinapati will give you some tips for the dance/movement section of your audition. I love working with Desney because she understands the difference between “dance school” choreography and dance within musical theatre – being part of the story. It’s this skill that works so well in community theatre because it allows her to take performers with less technical dance skills and create movement that makes them look amazing and feel confident. Can’t wait for you to work with her.

If you haven’t registered for your audition yet you better get in now because the schedule is nearly full. Download your audition pack for details at www.savoyards.com.au.

We’re looking forward to meeting you at your audition so prepare well and we’ll see you in June.

Cheers, Sher.

www.savoyards.com.au  |  auditions@savoyards.com.au


How NOT to sabotage your own audition.

How not to sabotage your own audition 190515

 

HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING

Savoyards Musical Comedy Society, Brisbane.

Auditions: June 12 – 17, 2015

CLICK HERE to meet the production team.

AUDITION PACK AVAILABLE NOW AT WWW.SAVOYARDS.COM.AU


VENUE:  Wynnum High School, Peel Street, Manly;

DATE:  13-15 June, 2015.

TIME: By appointment only

 

JOB DESCRIPTION: AUDITION PIANIST

  1. Must have eyesight capable of reading sheet music from an iPhone.
  2. Must have three hands – two to play and one to control the loose bits of paper supplied by auditionee.
  3. Must have a sixth sense to know where the singer is going in the song because it won’t be written on the music.
  4. Must have sight reading skills capable of playing an unknown piece of music in 7 sharps changing every three bars to 7 flats and back again because the singer thought this would be an “interesting piece”.

Hundreds of auditions later I have witnessed all this and more (ok, the iPhone was an iPad, but REALLY?!). Being an audition pianist is a particular skill. You have to sight read many different songs, follow the singer but maintain the integrity of the piece and interpret chicken scratch on sheet music that makes the notes barely visible. The audition pianists I have worked with have accomplished all this and more. They always try to make the auditionee feel confident and are very talented musicians; but people, you’ve got to help these guys and gals out. Doing everything possible to make their job easier is only going to help you to perform more confidently. So, here’s how you can prepare for your audition pianist:

  1. Choose a song that does not require 3 weeks of piano practice to play. If you have to apologise for the key signature, it’s not a good choice. The pianist has about 5 minutes to look at your music and no time to actually practice it. Be sensible in your choice.
  2. Make sure the sheet music is in your key. Don’t ask the pianist to transpose on sight.
  3. Make sure the copy is legible. If it’s a photocopy of a photocopy of a bad photocopy, get a NEW copy! Clear, black print.
  4. Mark up your music clearly. You’ve been asked to prepare the best 32 bars of the song so make sure you clearly mark on the music where you’re beginning and ending. If you’re not starting at the beginning of the song, predetermine your lead in and mark it. Mark your speed and highlight any key changes or cuts. If the end bar is not clear, mark it.
  5. Put your name and mobile number on it. I’m making quite a collection of music left behind at auditions.
  6. Present the sheets securely. There are two ways to do this – (a) If it is only 3 pages, copy it onto heavy white card and tape it together (see photo). This means the pianist doesn’t have to turn pages and the sheets don’t flop around or (b) place the sheets in a display folder with the first page on the left hand side. This reduces page turns in the early part of the song.

Presenting sheet music

Don’t underestimate the impact of preparing your audition music properly. You will not feel confident if your song is stopped because your loose sheets fall off the piano or the poor pianist is so busy trying to hold it there, he can’t play it properly. Just before your audition, the pianist will come out to talk to you about your music. Go through it pointing out the marks you’ve made, measure speed and any other notes you want but try and keep them to a minimum. When your audition is finished, don’t forget to thank the pianist as you collect your music.

We’re looking forward to meeting you at your audition so prepare well and we’ll see you in June.

Cheers, Sher.

www.savoyards.com.au  |  auditions@savoyards.com.au


What Does Your Principal Audition Look Like?

 

What does your principal audition look like- 12-05-15

HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING

Savoyards Musical Comedy Society, Brisbane.

Auditions: June 12 – 17, 2015

CLICK HERE to meet the production team.

AUDITION PACK AVAILABLE NOW AT WWW.SAVOYARDS.COM.AU


VENUE:  Wynnum High School, Peel Street, Manly;

DATE:  13-15 June, 2015.

TIME: By appointment only

So you’ve decided to step out and audition for a character in How to Succeed. You’ve booked your audition, done your research, chosen your songs and you now you find yourself feeling one of two ways – confident or like you’re going to throw up on your shoes – sometimes both in any one day. Relax, you’re already amazing just doing the audition but to help you feel prepared, let me walk you through what your audition will look like.

Arrive about 15 minutes early. There is nothing worse than arriving late and having to walk straight into your audition desparately needing to pee. When you arrive, check in with the Audition Clerk and give them your fully completed audition form with your performance history and head shot STAPLED (no paper clips) behind it. You’ll then have the opportunity to go over your sheet music with the pianist. We’ll talk about the way you should present your sheet music next week.

When you are called into the audition space, bring your water, dance shoes and scripts with you. You’ll be introduced to the panel and after a little chat, you’ll sing your first song. The Musical Director, Geoffrey, may work with you on the song or ask you to present your alternative piece. If he doesn’t, it doesn’t mean anything other than he has enough information to determine your skill set.

You’ll then read your script with the reading partner we provide. Feel free to move around and take control of the space. The reader will follow what you do. Remember that I don’t mind you holding your scripts during the audition. Know the scripts well enough that you don’t have your face in the paper and can develop character but hang onto them for security by all means.

Choreographer, Desney, will teach you a simple dance routine to determine your skill level. Wear clothes and shoes you can dance in – not joggers as they are dangerous to dance in on a timber floor.

Throughout this whole process, we will be seeking ways to help you present your very best audition. If you have all the confidence in the world then that’s wonderful but if you’re like 90% of auditionees, you’ll suffer a few nerves. Our job is not to sit behind a desk and judge you. That doesn’t help you and it certainly doesn’t help us to cast a show. We want to know what you’re really capable of once the nerves are peeled away and we see you a little more relaxed.

Everyone’s audition will look slightly different because we tailor it to suit you so don’t make the mistake of comparing your audition with someone else, interpreting the fact that you didn’t sing your second song as a bad sign. It could simply mean that you chose such a great first song that it showed your skill really well.

Once you’ve finished your audition, go and celebrate all the effort you put into weeks of research and preparation. If we need to see you for a callback (and not all characters will require callbacks), you will receive a call by Monday night from the Executive Producer. Be prepared and become familiar with the callback music available now at the link in your audition registration email.

Finally, you might find this article helpful in your preparations – “6 Ways to Prepare for Your Best Audition.” After sitting through hundreds of auditions, I realised there were a number of things common to those who auditioned well and I’ve shared them with you in the article.

We’re looking forward to meeting you at your audition so prepare well and we’ll see you in June.

Cheers, Sher.

www.savoyards.com.au  |  auditions@savoyards.com.au


A Chorus Full of Characters.

A Chorus Full of Characters 050515

HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING

Savoyards Musical Comedy Society, Brisbane.

Auditions: June 12 – 17, 2015

CLICK HERE to meet the production team.

AUDITION PACK AVAILABLE NOW AT WWW.SAVOYARDS.COM.AU


Without a fantastic chorus, our shows would be very empty.

If you’re planning to audition for the chorus of How to Succeed, don’t step into the audition space with the mind set that you’re auditioning for “just chorus.” You’re auditioning to play a character that adds depth and detail to the show, even if you don’t have any lines. I am not a fan of “stand and stuff” choruses (groups that come on and fill space but have no purpose). If you’re on stage, you’re there for a reason and you have enormous value to the production, so we’re looking for people who can work as part of a team, have a sense of fun and a good work ethic.

Preparation for a chorus audition is a little different to a principal audition but the elements like professionalism and preparation remain the same. Here’s what the How to Succeed General Chorus Audition will look like and some tips on how to stand out – for the RIGHT reasons.

VENUE:  Wynnum High School, Peel Street, Manly;

DATE:  Friday, 12 June

TIME: 7.30pm start.

Be on time!  This audition will begin at 7.30pm.  Demonstrate a great work ethic by being early enough to sign in with the Audition Clerks (presenting your Audition Form and photo), get a name tag, change your shoes (to something suitable for movement) and compose yourself ready to begin at 7:30pm.  Do yourself a favour and don’t be the person who wanders in after everyone has started.

Have some fun!  The Musical Director will teach everyone a couple of small sections of music from the show (available in the link in your registration email).  The music isn’t difficult but Geoffrey is looking for good enunciation (that you pronounce the lyrics clearly), character (that you perform with your face and attitude), that you understand rhythm, can hear a part and, of course, can hold a tune. This process is relaxed and actually quite a bit of fun.

Shake a little booty!  Choreographer, Desney Toia-Sinapati, will then put you through stage movement.  This section is purely to measure your level of dance skill. The choreography in this show is built around dancers as well as people who “move well” so don’t panic if you weren’t born with pointe shoes on your feet.  Make sure you wear comfortable clothes, and shoes that you can dance in (thongs and joggers are not suitable as they have rubber soles that stick on timber floors making them dangerous). Wear chorus or jazz shoes or dress shoes with leather soles.

Show some character.  I will be looking for performers who do more than just sing. I want characters who are alive and show it. You need to smile and give everything some energy.

Be confident.  When you’re working with the MD, don’t be shy.  Sing your part with confidence and don’t take yourself too seriously.  We’re not looking for polished performances as much as potential.  If you get something wrong and acknowledge it, it shows that you have a good ear and can hear your mistake – a good thing for a chorus member.

The same goes for working with the Choreographer. Dancers develop their memory for learning choreography with years of training. Desney understands this about musical theatre performers and has great skill in getting you to move and look great. Trust her and just give it everything you’ve got.

Relax and have fun with the evening.  If you don’t feel confident, pretend! Smile at everyone, laugh at yourself and you’ll be surprised how well things go for you.  Don’t fuss over your mistakes or torment yourself wondering whether you made the right impression. Just do your best because casting is out of your hands.  If your aim is to learn something new and have fun, your evening will be valuable no matter what comes out of it.

www.savoyards.com.au  |  auditions@savoyards.com.au


The Songs of How to Succeed.

 

The Songs of How to Succeed

HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING

Savoyards Musical Comedy Society, Brisbane.

Auditions: June 12 – 17, 2015

CLICK HERE to meet the production team.

AUDITION PACK AVAILABLE NOW AT WWW.SAVOYARDS.COM.AU


If you’re wondering how much singing principals and chorus do in How to Succeed, here is a brief listing.

Remember to download your audition pack now and register your audition (details in the pack) at www.savoyards.com.au

 

J. PIERREPONT FINCH

How to Succeed in Business Without Really Trying (solo); The Company Way (duet with Twimble); Been a Long Day (with Smitty and Rosemary); Grand Old Ivy (duet with Biggley); Rosemay (duet with Rosemary); I Believe in You (with Executives); Brotherhood of Man (with Executives).

Vocal Range C3 – G4

ROSEMARY PILKINGTON

Happy to Keep His Dinner Warm (solo); Been a Long Day (with Smitty and Finch); Paris Original (with Secretaries); Rosemary (duet with Finch); Cinderella, Darling (with Secretaries and Smitty); Happy to Keep His Dinner Warm Reprise (solo); I Believe In You (Rosemary’s solo).

Vocal Range A3 – B4

J.B. BIGGLEY

Grand Old Ivy (with Finch); Been A Long Day Reprise (with Hedy and Bud); Love From a Heart of Gold (duet with Hedy); Brotherhood of Man (with Finch and Executives).

Vocal Range C3 – A4

HEDY LaRUE

Been a Long Day Reprise (with Biggley and Bud); Love From a Heart of Gold (duet with Biggley).

Vocal Range C4 – Eb5

BUD FRUMP

Coffee Break (with ensemble); A Secretary Is Not a Toy (with ensemble); Been a Long Day Reprise (with Hedy and Biggley); Brotherhood of Man (with Executives).

Vocal Range C3 – F4

SMITTY

Coffee Break (with Ensemble); Been a Long Day (with Finch and Rosemary); Paris Original (with Secretaries); Cinderella Darling (with Secretaries).

Vocal Range A#3 – G5

MISS JONES

Paris Original (with Secretaries); Brotherhood of Man (solo with Executives)

Vocal Range Bb3 – Gb5

THE EXECUTIVES: GATCH, JENKINS, TACKABERRY, PETERSON, BRATT.

Secretary is Not A Toy (with Ensemble); I Believe in You (Washroom scene); Brotherhood of Man

Varying vocal ranges.

MR. TWIMBLE

The Company Way (with Finch).

Vocal Range C#3 – E4

WALLY WOMPER

Brotherhood of Man (with Executives)

Vocal Range D3 – E4

A NOTE ABOUT TWIMBLE/WOMPER: Traditionally these two characters are played by the same actor and we will looking at this as an option during casting. Twimble is only on in the Mailroom scene in Act 1 and Womper is only on at the end of Act 2 so it makes sense to follow this traditional professional casting option for the sake of the actor. However, we’re open to who turns up to casting.

 EXECUTIVE ENSEMBLE

Coffee Break; A Secretary is Not a Toy; I Believe in You (Washroom scene); Brotherhood of Man

SECRETARY ENSEMBLE

Coffee Break; A Secretary is Not a Toy; Paris Original; Cinderella Darling.

Download your Audition Pack now from Savoyards website.

See you in June.

Cheers, Sher.


MAKE YOUR ENTRANCE is written by Sherryl-Lee Secomb to equip and encourage performers auditioning for Savoyards Musical Comedy Society, Brisbane, Australia.

www.savoyards.com.au

Memory, Cats and Cracks in the Universe – How to Choose An Audition Song.

 

How to choose an audition song.

HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING

Savoyards Musical Comedy Society, Brisbane.

Auditions: June 12 – 17, 2015

CLICK HERE to meet the production team.

AUDITION PACK & REGISTRATIONS RELEASED  APRIL 27 AT WWW.SAVOYARDS.COM.AU


She was the 37th auditionee of the day and as she took centre stage, I asked her, “What are you singing for us today?”

“Memory from Cats.”

I heard a crack in the universe open up and it was all I could do to stop myself from curling up into a fetal position under the desk. As she began to sing, the involuntary twitch in my right eye slowed a little as it became obvious that there was a good voice buried deep beneath a piece of music that has been jumped on, crushed and had its insides strewn over audition stages all over the world.

Ladies, remove ‘Memory’ from your musical audition repertoire. That is all.

This week we’re taking a look at one area that community musical theatre performers really struggle with – audition songs.

Stop being emotional.

Audition song choice seems to stump many performers. They choose songs emotionally; because they love to sing it, have a connection to the words or would love to do the show it comes from. This emotionalism prevents us from hearing our true voice in an honest way. In other words, we hear what we want to hear not what we truly sound like.

If you want to improve your audition song you must begin with honesty. Record yourself singing (audio only to avoid visual distraction) and listen – honestly. When we are listening to ourselves live we hear what we want or expect to hear. When we listen to a recording of our voice we are forced to hear what is really coming out of our mouth and we often get a surprise. This is where true improvement begins. Listen for technique, phrasing and breathing points that could be improved. You might decide that the song is not actually doing you any favours. This is not an exercise in personal condemnation. Be an emotional grownup and listen to your voice as just another musical instrument for improvement.

32 bars of amazing!

Choose songs that make you sound amazing. You only have 32 bars to show what you can do so choose well. Don’t attempt complex music unless you have the technique to back it up. Much better to present a simpler song and crush it. Choose the best 32 bars of the song. That may mean that you don’t begin at the first bar of the song. If the best part of the song or the part that really shows off your voice begins at bar 36 you may not get there before the audition panel stops you. We are not expecting you to sing the whole song we just want to hear the part you are really excited about because it makes you sound amazing. Skip the rest and get to the good bit.

Light and shade.

Prepare 2 contrasting pieces – something upbeat and fun and another that is gentler and sweeter. You may not need to present both at your audition but the team may want to hear your voice in both styles. Consider the style of the show when making your song choice. You probably wouldn’t present something from Rock of Ages, for instance, but from a musical that is similar in feel or style to How to Succeed.

I don’t know that many musicals.

There is an enormous list of music available that very few people look at. Just because the show hasn’t been to Australia doesn’t mean it doesn’t exist. I heard a beautiful audition recently using a song from The Bridges of Madison County; a good piece of music that showed off the performers voice and stood out in the memory of the audition panel because it was well written and no one else presented it. Check out the licensing company websites for lists of shows, song lists and sample audio of each song. Here are links to a few licensing companies to get you started –

Sheet music only please.

When you’ve made your song choice, you’ll need to source sheet music. We don’t use backing tracks or recordings because we prefer to have the freedom to get beyond your nerves and work with you on the song. We can’t do that easily with a recording. It wastes too much time in the 15 minutes that you have.

Music Notes is an online supply of sheet music with a great selection of musical theatre from Annie to Wicked and If/Then plus everything in between. It’s inexpensive and you can download your purchase immediately. Build up a repertoire of songs that are fantastic for your voice in various musical theatre styles and you will be ready for any audition.

You are not doing the casting.

Some of you will want us to tell you what to sing. That ain’t gonna happen, Sunshine. You need to make your own choice based on what makes you sound fantastic and therefore gives you confidence.

The purpose of your audition song is to show us how fantastic your voice can sound. That is all!

You are not doing the casting. You may be presenting a song that you feel shows you as Finch but we see you as Bud. All you have to do is show us how wonderfully you sing – we’ll handle the casting. So, relax and enjoy presenting your skills to us. We’re really looking forward to seeing what you’ve created.

Remember, the Audition Pack is released on the Savoyards website on April 27.

See you in June.

Cheers, Sher.


MAKE YOUR ENTRANCE is written by Sherryl-Lee Secomb to equip and encourage performers auditioning for Savoyards Musical Comedy Society, Brisbane, Australia.

www.savoyards.com.au

Don’t Recreate Someone Else’s Performance. Have Fun and Create Your Own.

Don't recreate - Create something new

 

HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING

Savoyards Musical Comedy Society, Brisbane.

Auditions: June 12 – 17, 2015

CLICK HERE to meet the production team.

AUDITION PACK & REGISTRATIONS RELEASED  APRIL 27 AT WWW.SAVOYARDS.COM.AU


This week I’ve added some detail to the characters of How to Succeed. I’ve also linked video of performances that will be useful in your preparations but there are 2 things I want you to remember:

  1. Use these videos for inspiration. Don’t feel you have to recreate the performance.
  2. We’ll be looking for potential within your audition. Nobody expects you to bring a performance ready character into the room. All you are responsible for is bringing your best work.

 

J. PIERREPONT FINCH

Our story’s protagonist. An irrepressible, clear-eyed, almost puckish hero, he is a window washer who applies for a job at the World Wide Wicket Company and attempts to climb the ‘ladder of success’ using instruction from his little book called “How to Succeed in Business Without Really Trying”.

Sher’s Notes: Finch seems to know what he’s doing all the time, manipulating his way to the top but there is an element of youthful naivety that shows through, especially when he’s around Rosemary. His cheekiness is never disrespectful which makes him lovable. We all want him to get to the top of the ladder even though we’ve probably had to deal with someone like him at some point in our lives. You should be comfortable on stage, confident and with a great sense of comedic timing. Consider the importance of creating a connection with the audience that makes them feel as though they are sharing a secret with you, all without ‘playing to them’. Robert Morse, the original Finch, captured this beautifully.

Male   ::   Playing Age 22 – 30 yrs old
Vocal Range C3 – G4

ROSEMARY PILKINGTON

A secretary at the company who is more interested in finding a man than advancing her career. She becomes Finch’s love interest.

Sher’s Notes: Rosemary is one of those people you feel has had too much coffee. She’s bouncy, bright, smart, cute, bubbly and totally focused on getting her man – Finch. She uses all her feminine ways to try to attract his attention but is young and naive in the ways of relationships, dreaming of the clichéd life in her white picket fenced house with Finch by her side. She is adorable and full of energy and determined never to give up.

Female   ::   Playing Age 20-30 yrs old
Vocal Range A3 – B4

J.B. BIGGLEY

The stuffed-shirt, philandering President of World Wide Wicket. Beneath his ruthless exterior, he is a college lad at heart with a passion for knitting.

Sher’s Notes: Everything about this man is BIG. He talks big, he takes over a room when he enters it, he’s blustery and old-fashioned but he deals with the stressful life of the executive by knitting. This BIG character shows contrast when he’s relating to Hedy LaRue, his mistress. It’s like he can no longer think straight when he’s around her.

Male   ::   Playing Age 50-65 yrs old
Vocal Range C3 – A4

HEDY LaRUE

A voluptuous, sexually charged woman adored by all of the men. She may appear dim-witted, but she knows how to manipulate men to get what she wants.

Sher’s Notes: This physicality of this character is a major part of the role. Hedy has attracted the attentions of men for all the wrong reasons and has learned to deal with them on her terms. She wants to better herself but she is coarse and unrefined. She behaves in the way she understands a lady to be but doesn’t always hit the mark. Hedy has her own moral compass and has a heart of gold making her likeable. A wonderfully comedic role. Be careful to maintain control of the character so avoid it tipping over the edge into ‘ham’. She ain’t no dummy.

Female   ::   Playing Age 25-35 yrs old
Vocal Range C4 – Eb5

BUD FRUMP

Biggley’s nephew and a scheming employee. He is an arrogant sycophant who tries to advance his career by exploiting his family connections.

Sher’s Notes: Bud is the sort of character you want to hit up the side of the head with a wet fish. He’s a big baby that runs to mummy when he wants something or things don’t go his way. Be careful not to ham this character up too much. The script is full of laughs for him but if you push too hard the character will just come off as annoying instead of funny. Let the script do the work, keep control of the character and be deliberate in your choices of movement and mannerisms.

Male   ::   25 – 30 yrs old
Vocal Range C3 – F4

SMITTY

A secretary with a painfully dry sense of humor. She is a cynical, working woman who is on the lookout for a man.

Sher’s Notes: I love the Smitty. She’s wise in the ways of the world, has a dry and witty sense of humour, a heart of gold and is a wonderful comedic partner for Rosemary [the absolute opposite]. Smitty is older and wiser and can get exasperated by Rosemary but loves her anyway. Smitty is on the look out for a husband and isn’t wasting time with subtlety, although she’s always a lady. She can see straight away that Finch is not the helpless young man Rosemary believes him to be. Her song, “Been A Long Day” displays her maturity compared to Finch and Rosemary. She tries to be subtle in bring them together but her frustration grows as the song progresses.

Female   ::   30-40 yrs old
Vocal Range A#3 – G5

MISS JONES

J.B. Biggley’s stuffy secretary who is abrupt and tough, but soft and kind to those who are good to her.

Sher’s Notes: Miss Jones is old school, ladylike, intelligent and tough. Her vocal style in “The Brotherhood of Man” must be strong enough to carry over the male chorus [microphones are used]. By this we mean that you should be technically proficient to create a strong swing style with the strength of an operatic or belt singer. She can run an entire office with precision and is like a well dressed bulldozer when a task is required of her. She has been Biggley’s secretary for many years and knows everything that goes on.

Female   ::   45-65 yrs old
Vocal Range Bb3 – Gb5

THE EXECUTIVES: GATCH, JENKINS, TACKABERRY, PETERSON, BRATT.

Sher’s Notes: These guys are manipulating their way up the corporate ladder and it’s obvious. They are wary of anyone who attracts attention of Mr Biggley, namely Finch. I want to create a collection of varying personalities in this group [including the male chorus]. You have the freedom to build your own unique character. Be brash, strong, or you might choose the stereotypical ‘accountant’ character, etc. It’s up to you as I need a large group of unique characters.

Male   ::   30-60 yrs old
Varying vocal ranges.

MR. TWIMBLE

He is a fussy, old-fashioned, yet loyal employee at the company. Supervisor of the mailroom, he believes his success is due to his lack of ambition and ability to remain unnoticed.

Sher’s notes: Twimble is proud of his 25 years in the mail room. He’s a committed company man and proud of it and eager to share all he’s learned with Finch, probably the first person to ask him about his career. He isn’t scared of Bud’s ‘connections’; he’s been around too long and knows too much. A wonderful role for a mature actor.
Male   ::   60-75 yrs old
Vocal Range C#3 – E4

WALLY WOMPER

The company’s Chief Executive Officer and a former window-washer.

Sher’s Notes: Wally is Finch in a former life. He started out as a window washer and worked his way to the top of the corporate ladder. He still has that twinkle in his eye but is also an astute executive who is well aware of the manipulation of the ‘career man’. He is excited when he finds out that Finch was a window washer as well. He looks down on the ‘college’ men that populate his executives as he considers himself self-made and therefore superior. He also eventually attracts Hedy LaRue.

Male   ::   55-70 yrs old
Vocal Range D3 – E4

 MISS KRUMHOLTZ

A featured secretary with lines.

No solo songs so vocal range is open.

CLEANING LADIES

I’m looking for a couple of mature aged actresses to create a cleaning lady team. These characters have lines but I’ve created recurring business throughout the show for them. Great little roles for anyone willing to have a bit of fun with them.

No solo songs so vocal range is open.

 

There are lots of performance opportunities throughout the show for chorus and every one is comedic. I’m having so much fun blocking and designing this show and I can’t wait to cast it and add your sparkle and skills to it.

Remember, the Audition Pack is released on the Savoyards website on April 27.

See you in June.

Cheers, Sher.


MAKE YOUR ENTRANCE is written by Sherryl-Lee Secomb to equip and encourage performers auditioning for Savoyards Musical Comedy Society, Brisbane, Australia.

www.savoyards.com.au

The Characters of How to Succeed in Business Without Really Trying.

 

How to Succeed Characters

HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING

Savoyards Musical Comedy Society, Brisbane.

Auditions: June 12 – 17, 2015

CLICK HERE to meet the production team.

AUDITION PACK & REGISTRATIONS RELEASED  APRIL 27


This week we’ll take a look at the basic requirements of characters in How to Succeed. Use this detail to determine whether you satisfy things like voice range and on stage playing age restrictions. Remember that ‘playing age’ refers to the age range of the character on stage, not your own actual age.

More detail about characterisation, etc will be in the Audition Pack which is available for download April 27 from http://www.savoyards.com.au.

J. PIERREPONT FINCH

Our story’s protagonist. An irrepressible, clear-eyed, almost puckish hero, he is a window washer who applies for a job at the World Wide Wicket Company and attempts to climb the ‘ladder of success’ using instruction from his little book called “How to Succeed in Business Without Really Trying”.
Male   ::   Playing Age 22 – 30 yrs old
Vocal Range C3 – G4

ROSEMARY PILKINGTON

A secretary at the company who is more interested in finding a man than advancing her career. She becomes Finch’s love interest.
Female   ::   Playing Age 20-30 yrs old
Vocal Range A3 – B4

J.B. BIGGLEY

The stuffed-shirt, philandering President of World Wide Wicket. Beneath his ruthless exterior, he is a college lad at heart with a passion for knitting.
Male   ::   Playing Age 50-65 yrs old
Vocal Range C3 – A4

HEDY LaRUE

A voluptuous, sexually-charged woman adored by all of the men. She may appear dim-witted, but she knows how to manipulate men to get what she wants.
Female   ::   Playing Age 25-35 yrs old
Vocal Range C4 – Eb5

BUD FRUMP

Biggley’s nephew and a scheming employee. He is an arrogant sycophant who tries to advance his career by exploiting his family connections.
Male   ::   25 – 30 yrs old
Vocal Range C3 – F4

SMITTY

A secretary with a painfully dry sense of humor. She is a cynical, working woman who is on the lookout for a man.
Female   ::   30-40 yrs old
Vocal Range A#3 – G5

MISS JONES

J.B. Biggley’s stuffy secretary who is abrupt and tough, but soft and kind to those who are good to her.
Female   ::   45-65 yrs old
Vocal Range Bb3 – Gb5

MR GATCH

A sleazy executive with a penchant for the ladies.
Male   ::   40-60 yrs old
Speaking Role but will be included in group vocals.

MR. TWIMBLE

He is a fussy, old-fashioned, yet loyal employee at the company. Supervisor of the mailroom, he believes his success is due to his lack of ambition and ability to remain unnoticed.
Male   ::   60-75 yrs old
Vocal Range C#3 – E4

WALLY WOMPER

The company’s Chief Executive Officer and a former window-washer.
Male   ::   55-70 yrs old
Vocal Range D3 – E4

 

There are many smaller featured roles for men and women and a chorus full of performance opportunities.

Principal roles will be required to audition individually and our chorus auditions will be done as a group. More on this later.  Remember, the Audition Pack is released on the Savoyards website on April 27.

Can’t wait to meet you at your audition in June.

Cheers, Sher.


MAKE YOUR ENTRANCE is written by Sherryl-Lee Secomb to equip and encourage performers auditioning for Savoyards Musical Comedy Society, Brisbane, Australia.

www.savoyards.com.au

How Do You Audition For a Pulitzer Prize Winning Musical?

1APRIL15

HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING

Savoyards Musical Comedy Society, Brisbane.

Auditions: June 12 – 17, 2015

CLICK HERE to Meet the Production Team.

AUDITION PACK & REGISTRATIONS RELEASED  APRIL 27


The internet has made researching a show for an audition much, much easier but it also allows us actors to indulge our neurotic tendencies, the worst of which is comparison. We watch a bunch of Youtube videos of various actors playing the character on Broadway or London’s West End and decide that we could never get the part because we can’t sing/act/dance like them. I’ve got news for you – you’re using the internet incorrectly.

Research for a show is about equipping you with enough information to stimulate your imagination and talent to prepare your OWN audition, not someone else’s. We’re not interested in seeing a recreation of the part; we want to see a new creation. So, with the mindset of presenting the very best YOU at your audition, let’s begin our research and preparation for auditions for How to Succeed in Business Without Really Trying, a show written by the same team that created Guys & Dolls. This blog is about preparing you for the Savoyards production and what we, as a production team, are looking for.

Your first step is to know the show.

Listen to snippets of the songs and read the synopsis here.

Click here to check out other information about the show, including the fact that it is only one of 6 musicals to ever win a Pulitzer Prize for Drama, it’s won 9 Tony Awards and has been nominated for 11 more.

The 1967 movie [built on the 1961 Broadway production] and the 1995 Broadway revival, starring Matthew Broderick and Megan Mullally, are my recommendations for show research.

The DVD of the 1967 movie, starring Robert Morse, is available to purchase online here, or click here to view it on Youtube. If you’re a Mad Men fan, you’ll know Robert Morse as Bert Cooper. In fact Mad Men is set in the same era as How to Succeed and is styled in the same way.

You can view the 1995 Broadway revival, starring Matthew Broderick here on Youtube.

Additional recommendations:

How to Succeed is a script that doesn’t take itself too seriously. It’s fun, clever, tight and total entertainment. Another movie that captures the sense of humour and elegance we’re going for is “Down With Love” [2003], staring Ewan McGregor and Renée Zellweger. Watch the trailer here to get an idea of what I mean.

This viewing should keep you busy this week. Watch the show more than once and steep yourself in the style, characters and cleverness of the script of How to Succeed, then we can talk characters.

Enjoy, Sher.


 MAKE YOUR ENTRANCE is written by Sherryl-Lee Secomb to equip and encourage performers auditioning for Savoyards Musical Comedy Society, Brisbane, Australia.

www.savoyards.com.au